Finding Your Writing Community

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Last week I talked about the importance of finding a strong critique partner to help you in the process of honing your work. But beyond that, I think it’s vital to develop a writing community. By this I mean people with whom you can discuss writing in general and trade recommendations for fabulous books or conferences or writing programs, who will let you complain when your characters are misbehaving and who will cheer you on when you’re close to finishing a book. These folks won’t necessarily read your novel word for word and provide you with feedback, but they will provide you with the water-cooler chat that people find in a more traditional workplace. They can also share their own career experiences if they are ahead of you in the quest to publish.

Let’s face it: Writing can be a solitary, isolating occupation. You might have a day job with co-workers, and a family and friends to keep you sane, but they don’t necessarily get all that excited when you have a breakthrough over a troubling plot point. Nor are they going to commiserate when you hear your arch-nemesis has signed a three-book contract, at least not on the same level as a peer. But the world is full of people who will join you in the sort of discussion that makes you feel like a writer, even before you have your own shiny book deal.

There are plenty of places to find these sorts of partners in crime, both in the real world and online. The obvious choices are writing classes or programs, and organizations geared toward the type of writing you do, such as Sisters in Crime or Romance Writers of America. You can also check your local paper or library to see if there’s a local writers’ group that meets in your town or nearby, and see if they are open to new members. Online, you can find broader versions of the same organizations that hold regional meetings, and many have virtual chapters that meet in cyberspace.

However, don’t discount writers’ conferences. These can cost a bit more than some other options and require advance planning, but they can be well worth the effort. A writers’ conference offers a chance to meet fellow writers at all stages of their careers, including published authors who often present inspiring key note addresses, while also allowing you to attend panels and seminars, perhaps meet with an agent or editor, and puts you smack in the middle of plenty of writerly chat over the course of the conference. The one I attended this past weekend, for example, the San Francisco Writers Conference, was a sold-out event featuring more than 300 attendees and 100 presenters. If that size seems overwhelming, there are certainly smaller gatherings as well.The Shaw Guides website provides a listing of a broad range of conferences available each year.

A writing community helps to keep a writer focused and inspired. Of course, a writing community can also be a distraction if you allow it to swallow all of your free time, including that normally devoted to writing, but that’s true of anything in which you involve yourself. Overall, a community of fellow writers will allow you the support to continue in the face of rejection and the sense of belonging that can help you keep your eye on your goals.

Friday Links

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I am off for the weekend to the San Francisco Writers Conference. However, I leave you with some links, as always, to get you through your Friday. For those of you in the U.S., have a wonderful holiday weekend, and a great weekend to the rest of you as well. Happy writing!

The Wonderful and Terrible Habit of Buying Too Many Books – Can there really be too many? I’m not so sure…

29 Soundbites on Writing and Publishing – A fun list.

Literary Heirs – Some intriguing literary magazines for those who read them or submit to them.

 

Telling It Like It Is: The Value of a Critique Partner

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There comes a time in every aspiring professional writer’s life when they need to find someone to read and critique their work. I am, in general, a big believer in doing the work yourself, by which I mean the writing, the research, the revising, the proofreading, etc. It’s your book, your idea, your vision, and you are the person who will bring it to life. However, at the end of the day, you are only human. Human beings make mistakes. Typos. Dropped words. Writers also have a way of believing they’ve said exactly what they meant, because they know what they meant to say, only to discover at some later date that the person reading what they’ve written doesn’t know what they meant at all. Somewhere between the writer’s brain and the page, the message was lost.

As a writer, you are your first reader, your first audience. You should, of course, write what pleases you. But, you are not the intended audience. Those readers out there in the world, those are the people you are ultimately writing for, and so it makes sense to have one on hand who will tell you if you’ve hit all your marks, if the story makes sense and all the pieces hang together, before you loose it on the world at large.

A critique partner can be another writer or just a good reader. But the chances are that they should not be a) your mother, b) your spouse, or c) your best friend. Generally, those people are a little bit too close to you to be brutally honest when it comes to your writing. More than likely, they will tell you that you are wonderful and perfect and the answer to all the publishing world’s problems. They might point out a misspelled word here and there, or wish for a happier ending, but overall, they will not give you useful, honest criticism. There are always exceptions, of course, but be honest with yourself in your assessment. You can always let Mom read your manuscript when you need a mental hug.

Where should you look for a critique partner? Writing classes, writers’ groups, online writing organizations, colleges and universities where writing classes are taught, bookstores, the library… Pretty much anywhere that readers and/or writers spend time. Friends might know other people interested in books and writing and craft, so let them know you’re looking for a reader.

You will probably have to try out a few people before you find someone whose skills and style are a good match to your own. If they are also a writer, you might want to reciprocate critiquing duties, but that’s not necessary. Plenty of people will read and critique for you simply for the pleasure of getting that first look at your work. But whatever else they do, they should be willing to tell you truthfully, in a straightforward if polite manner, what in your story is and isn’t working, and they should do so without telling you precisely how to fix it.

That last part is important, so I want to break it out a bit. I am not saying your critique partner should never make a suggestion. And certainly, when it comes to copy-editing-type critiques, of course they can correct your spelling or grammar errors. But the plot and the story are your own. Your critique partner can tell you if something isn’t believable, if you fail to answer questions that you’ve set up, if you’ve gone off on a boring tangent. By all means, listen to their thoughts on character motivation, consider their ideas about where you might need more tension or some comic relief. But your critique partner should not try to rewrite you; they have to remember that it’s not their book. You might be comfortable brainstorming with them, or bouncing your own ideas off of them, but beware of anyone who starts feeding you entire strings of story points and encouraging you to use them. If you refuse, it could strain your relationship. If you actually use them, you start veering into co-authorship and that can cause other problems if it’s not your intended path.

Another thing to keep in mind is that not all people have equal skills in all areas, and so you might consider having several critique partners instead of just one. Perhaps one of your writing friends has a fabulous ear for dialogue and another an excellent grasp of pacing and structure. Both could give you their thoughts, allowing you to benefit from a well-rounded critique overall. The danger here is if your critique partners provide you with conflicting advice. At the end of the day, this is no different than receiving multiple sets of feedback in a writing workshop. You need to be able to sift through everyone’s opinions and determine for yourself what works best for the project. This can take practice, but it’s an important skill to develop, since one day those recommended changes will be coming from an editor. Even at that level, you have the option of disagreeing with something you feel will take away from your book instead of making it stronger.

Finally, keep in mind that you may not have the same critique partner forever, or even for more than one or two projects. People’s lives change, get busier, and they move on. Or you may write something that’s in a genre your critique partner does not read, and find yourself searching for someone new just on that one book. Be open to meeting new critique partners even if you’re happily ensconced with your current reader; you never know when you might need to call on another set of eyes to help you make your book the best that it can be.

Giveaway Winner!

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Congratulations to Heather, the winner of the ARC for Shannon K. Butcher‘s newest Sentinel Wars book, DYING WISH. Heather, please watch your e-mail for information on how to claim your prize.

Thanks so much to everyone who participated in the giveaway. The book will be available in stores on March 6th. In the meantime, keep on visiting, as there will be more fun stuff here on the blog in months to come.

Links to Kick-off the Weekend

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Happy Friday, everyone! I hope you’ve all had a good week and have some plans for the weekend ahead. Regardless, I bring you a few links to entertaining/informative/inspiring sites that I’ve stumbled across in the past week or two. Happy writing, and enjoy!

Writing Tips from Talented Authors – Including the likes of Henry Miller, Margaret Atwood, Neil Gaiman, Elmore Leonard and more.

Some thoughts on Metrics – Author Vicki Pettersson looks at how metrics work on an individual level.

Haunted by the Handmaid’s Tale – Margaret Atwood looks back at writing her classic novel and the politics that have followed it through the years.

12 Things You Were Not Taught in School about Creative Thinking – Just what it says. Pretty interesting.

25 Reasons that Writers Are Nuts – Mostly humorous. A few are frighteningly close to the mark, however.

Giveaway!

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Yes, it’s that time. I’m giving away another book, though in this case it’s an Advance Reader Copy (ARC). Shannon K. Butcher‘s next installment in her exciting Sentinel Wars series, DYING WISH, is due in stores March 6th, but you have the chance to win an early peek. Just comment here on this post between now and Monday, February 13th at 5:00pm PST. I’ll pick a commenter at random to win the ARC and post their name here. Good luck!

Jackie Patton has been rescued by the Theronai from her captivity and torture at the hands of the Synestryn, only to learn that she’s a potential match for the Theronai warriors who need a woman to literally save their lives.

Forced to choose, she unexpectedly selects Iain, a cold-hearted warrior who doesn’t want to be saved. Iain is convinced that it’s too late-that his soul is already as dead as his former betrothed, killed by the Synestryn. Still, he is the only one she wants. But is Iain indeed beyond saving?

Does a Writer Need a Blog?

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The internet is a fabulous, crowded place filled with diverse sites to visit. Many, many of those sites have blogs attached to them. You’ve seen it happen. Blogs pop up in the most unlikely spots: Your favorite clothing store starts blogging fashion tip, the big chain kitchen supplier starts offering recipes in blog format, and, of course, everyone who lists themselves somewhere as a writer — whether it’s on their tax forms or just in their diary — has added a blog to their website. So, the question becomes, do you, as a writer or aspiring writer, need a blog?

Well, the short answer is no, you don’t, but that’s a very simple answer to what has become a very complicated situation. What you definitely need as either a professional writer or a writer at the submissions stage is a web presence. Because as you’ve probably been told a million times already, writers are expected to help market themselves and their books. It’s just part of the job in the 21st century. Not every reader will learn about you online, but many of them will, and those who don’t are pretty likely to look you up online anyway, once they’ve heard you mentioned elsewhere.

So, what every writer definitely needs is a website, preferably one that includes your name in the URL. That’s the name you’ll be writing under, whether it’s your own or a pseudonym. If your name is taken, add something that allows you to expand logically on your name, so: JoeSmithWriter.com or JoeSmithWrites.com. You get the idea.

But if you don’t need a blog, what goes on your website? If you haven’t published, that question is obviously a little trickier. You can treat a new website as a place holder for what you will eventually create to go with your published works. It can be as simple as an image and some introductory information about yourself. A short bio. A brief explanation about what you’re working on at the moment, and if you have finished work available to agents or editors, and a contact e-mail. Later you’ll add pages with cover art and book blurbs, but at the start, simple is fine. It shows that you understand the importance of being there.

You can supplement your simple site with other social media that’s less reliant on writing long, blog posts: Twitter, Facebook, Tumblr, Pinterest, etc. Make the most of other internet technology by sending out short tidbits, creating scrapbooks of writing inspiration, or posting book recommendations. There are many ways to get your name and ambitions out into the world besides maintaining a blog, and it’s your choice how to utilize them.

What if you do want a blog? By all means, include one on your website. Plenty of good blogging software is available that will allow you to incorporate your blog into that all-important URL. But before you start to blog, here are a few questions to ask yourself:

~ Can I keep up a steady posting schedule? This is important. Readers want to know when they can turn up and find new content. Are you going to post once a week? Twice? Daily? Be careful before you decide. Yes, you can always change it up later, but it’s better to aim for once a week and find it easy to add a second day than to start out daily and run out of things to say in three weeks and disappear for an extended period. So set your schedule and stick to it.

~ Do I have anything to talk about? This is not a judgment again anyone. There are people who are excellent writers, who dream up fantastic worlds and characters and adventures, but who freeze up when it comes to small talk or to discussing the business end of their careers. Not everyone is gifted with the ability to chat in a friendly manner several times a week to the ether. You probably have a good idea already as to whether blogging will be easy or difficult for you. And keep in mind, your schedule will become fuller once you start selling books, between copy edits and online interviews and even tours if you’re at that level. No one will begrudge you a blog hiatus if you’re touring Europe with your bestseller, but you want to maintain some sort of schedule through the more deadline-oriented periods of the publishing cycle. That’s harder if you also have to scramble for ideas of what to discuss.

~ Am I open to comments? Comments are a double-edged sword. They can be great; friendly, encouraging, supportive. Comments let you build a connection with readers of your blog, who might end up readers of your books as well. There will always be people with negative comments, so decide now if you can keep your cool and just delete comments of that nature without engaging in an online war. No matter how polite you are, the situation will get beyond your control, so there’s no point in starting an argument. If you can cope with that, and also with the need to delete spam (a good filter helps here), then comments can be great. But it’s also your call. You don’t have to take comments on all or even any of your blog posts. If you go this route, however, make sure there’s an e-mail address available to people who wish to contact you. These interactions will be “off screen” and still give you the chance to connect with readers.

~ Can I keep a secret? There are going to be things you shouldn’t discuss or announce at all stages of your career. If you’re the type of person who has a difficult time keeping their mouth shut, a blog is a bad idea. You don’t want to leak the names of the editors to whom your agent is sending your manuscript. You don’t want to discuss how many agents have turned you down. You don’t want to post that gorgeous cover art before your editor says it’s allowed to go public. People in publishing use Google. We look up our authors and people we’re considering for representation. We find out when you’ve let the cat out of the bag, and it’s not pretty. So if you can’t filter your information appropriately, eliminate the temptation of using it for instant blog content.

To blog or not to blog, the decision is yours. Determine if it’s a practical approach for your talents, your time, and your goals. If it is, build the best blog you can; if it’s not, be sure to embrace the other forms of social media at your disposal.

Happy Book Release Day!

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A very happy book release day to two of my clients. First up, we have Shannon K. Butcher‘s fabulous BOUND BY VENGEANCE, an e-special release in her Sentinel series. This novella is available in various electronic formats only, and takes place shortly before DYING WISH, the next novel in the series, which hits stores in March.

The guilt that Defender Dakota Kacey feels about her brother’s death is all-consuming, making her determined to find and kill the demon who murdered him. But the leader of the Defenders is worried about what Dakota is capable of, and calls in Liam Lann to keep an eye on her. Dakota knows what kind of power a Theronai like Liam possesses, and agrees to bind herself to him if he’ll help her exact vengeance. But a bond to a Theronai is not a decision to make lightly, and as the search for the killer intensifies, Dakota will have to learn to trust Liam completely, or risk losing everything.

Big congrats to Shannon!

Next up is a book I’ve mentioned here before: MISS HILLARY SCHOOLS A SCOUNDREL by Samantha Grace. This fun Regency romance is Samantha’s debut novel, and has already garnered some lovely reviews, including a starred review from Publishers Weekly.

HE’LL NEVER SETTLE FOR ONE WOMAN… Debonair bachelor Lord Andrew Forest lives for pleasure and offers no apologies. But he receives a dose of his own medicine when his family’s entrancing houseguest beds him, then disappears without so much as a by-your-leave. He’d like to teach the little vixen a thing or two about how to love and man…if he can find her..

AND SHE WON’T SETTLE FOR HEARTBREAK… After the dashing man of her dreams is revealed as a lying scoundrel, heiress Lana Hilary is ready to seek a match with a respectable gentleman-if only they weren’t so dreadfully boring. Unable to rein in her bold nature for long, Lana flirts with trouble and finds herself entangled with exactly the type of man she’s vowed to avoid.

Big congrats to Samantha, as well!

Friday Links

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I come bearing a wealth of links this week. Yet again, I find myself with more open tabs than makes my browser strictly happy with me, some lingering from last week, but many of them brand new.

So, without further ado, I wish you a wonderful weekend, happy writing, and fun following a few of these links to the goodies waiting at the other end.

2012 Best Fiction for Young Adults – Courtesy of the Young Adult Library Services Association (YALSA).

Sherlock Lives! – Michael Dirda looks at the resurgence in Holmes’ popularity onscreen, as well as on the page.

10 Shakespeare Quotes You Use Every Day – You’d be surprised just where the Bard is lurking.

Plotto: A Forward by Paul Collins – A look at a book that promises the key to all possible plots.

On Getting Out of Your Own Way – Advice from author Dani Shapiro.

What Do You Do, Jamie Raab? – An interview with the publisher of Grand Central Publishing.

The 20 Most Beautiful Bookstores in the World – Courtesy of Flavorwire. It’s enough to make you start planning a pilgrimage.

The Great MFA Debate – The latest in this ongoing do-you or don’t-you discussion.

The Language of Stamps – How you positioned your stamp used to tell the receiver as much as the letter or card itself. Fascinating, whether or not you’re participating in the Month of Letters challenge.

Why Your Work Never Gets Read as Quickly as You Want it To – Courtesy of my colleague, Lucienne Diver.

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