Friday Links

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Happy Friday, everyone! This week’s link list is a bit on the sparse side. I’m afraid most of my internet time was hijacked by things exploding, both literally — Boston, Texas — and figuratively — the U.S. Senate. Still, I do have a few offerings to entertain and inform you, so I hope you enjoy them. Have a wonderful weekend!

By Its Cover – 5 designers on book covers that inspire them.

The Questionable Fates of Famous Authors’ Birthplaces – There’s a disturbing number of Starbucks on this list.

Did Shakespeare Love the Cruellest Month? – Germaine Greer on the Bard and April.

And a quick reminder that I’m teaching a webinar next week through Writer’s Digest: Conquer the Dreaded Synopsis: Construct Your Ultimate Sales Tool. There’s still time to sign up, so head on over to register or pass the word along to your writer friends who might be interested.

 

 

Advice from the Trenches

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Last week on Booktalk Nation, author John Scalzi interviewed author Joe Hill about writing, genre, and his new book NOS4A2. Between the two of them, these guys have written a number of books, short stories, blog posts, etc. Whether you write genre fiction or something else, you should check out the video of their chat, because much of what they have to say is just plain interesting if you have any sort of curiosity about writing and publishing, and the bulk of their advice applies to any type of writer. They’re also pretty damn amusing to watch.

Just a heads up: the interview is about an hour long, so keep that in mind before you hit the play button. Enjoy!

Friday Links

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Friday has rolled around again. I’ve had a weird week in that it seemed to fly by, even as each individual day was a week long all on its own. I’m hoping you all experienced time in a more normal fashion, and that you’ve got a wonderful weekend planned.

At least in this half of the world, spring seems to have finally come to town (with a few snowy exceptions). Don’t let spring fever derail whatever writing goals you’ve set for yourself. Instead, try to combine your goals with a little fresh air. Grab your laptop or a notebook and go write in your yard or at a nearby park. Take a thermos of coffee and a blanket or folding chair and breath deeply while you write. Who knows what inspiration might strike? Just don’t forget your sunscreen.

But it’s Friday and that means links, as I’m sure you all know by now. I’ve actually got quite a few this week. It’ll be good to finally close out all these browser tabs. I hope you find these as interesting, educational, and entertaining as I did. The Will Hindmarch piece is a particularly important read. Enjoy!

This Column Will Change Your Life: Helsinki Bus Station Theory – A theory of creativity. It references photography, but really, this could apply to any artistic endeavor.

I Read Everything Jane Austen Wrote, Several Times – An interesting look at one reader’s impression of Austen’s work and what it meant to her.

Alix Ohlin Recommends – The author gives a couple of tips on how to drum up inspiration.

Forever All The Time Always – Guest blogging for Wil Wheaton, writer Will Hindmarch talks about depression and the lies it tells you about your writing, your skills, and your worth.

Let the Memory Live Again – Did you memorize poetry as a kid? Do you still? The Paris Review blog talks about a new app from Penguin Books that helps you to memorize a few classic poems.

Pablo Neruda’s Grave Is Opened in Inquiry into the Poet’s Death –  Questions have come up as to whether he might have been poisoned by someone in the Pinochet regime.

Wednesday Reads

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You might have noticed a theme among book bloggers when Wednesday rolls around. Posts about books — specifically what’s been finished, is in progress, and is up next on the to-read pile — abound. If you were wondering about the origins of this habit, you might want to check out Should Be Reading, home of the theory that mid-week is a great time to share your reading status with the world.

I love reading these posts, but I’ll admit I tend not to participate. Why? Because I’m often painfully slow to finish books once I start, and I would hate anyone to take that snail’s pace as a reflection on the quality of the books. If I’m not enjoying something, I don’t bother to finish anymore. Life is way too short and I am far too busy to keep reading a book that doesn’t interest me. Better to move on to something else from one of the teetering stacks around the apartment. But the reality is that most of my reading time goes to unpublished work; client manuscripts, rewrites, outlines and so on, plus an endless onslaught of submissions. And given I can only talk about those projects in the vaguest of terms, there doesn’t seem much point.

However, I also feel like I don’t discuss actual books enough on this blog. I get excited over my clients’ work, of course, and will occasionally reference other authors I admire — often when linking to an intriguing interview or bit of writing advice from them — but I don’t provide much of a clue regarding my reading tastes. So I’ve decided to start sharing. Probably not every week, because of that snail’s-pace thing, but at least a couple of times a month.

So, what am I reading? On the work front I’m finishing up some early chapters for one client and then I have a rewrite to read from a second client. I’ll probably try to work through some submissions later this afternoon — partials rather than full manuscripts, which I more frequently tackle on the weekend unless I have a breather during the week.

As for books with covers, it’s been a while since I’ve finished anything, mostly because I have a fair number with bookmarks tucked into them and I keep rotating what I’m reading. I’m about a third of the way through WOLF HALL by Hilary Mantel, which I’m loving. I am also picking my way through Neil Gaiman’s FRAGILE THINGS, which is short fiction and poetry and allows me a mini sense of accomplishment. On my Kindle I’m reading SOMETHING ABOUT YOU by Julie James, and MIDNIGHT RIOT by Ben Aaronovitch.

What’s next? The to-read pile is actually five or six piles at this point, but I’m itching to read Mary Robinette Kowal’s WITHOUT A SUMMER, and I have Mette Jakobsen’s THE VANISHING ACT right beneath that on the stack. I also just got a copy of HIDDEN CITIES: A MEMOIR OF URBAN EXPLORATION by Moses Gates, which sounds fascinating.

That’s it for my current reading line up. What are you all reading? Have you recently finished something you want to recommend? What are you looking forward to? Please do share — I’d love to hear what books have you excited.

 

Friday Links

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Happy Friday! I hope you’ve all had a good week and are looking forward to a weekend of writing, reading, and maybe some playtime.

As always, I’m offering up a selection of links for your entertainment and edification. Enjoy!

What Does Your Writing Implement Say About You? – A fun look at different types of pens, etc.

Joss Whedon’s Top 10 Writing Tips – Geared toward screenwriting, but mostly applicable across the board.

Fuck the Straight Line: How Story Rebels Against Expectation – Pearls of wisdom from Chuck Wendig.

“House” by Neil Gaiman – In honor of National Poetry Month.

Prepping for the Tax Man

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money-hi from clckr.comWhile everyone’s busy playing April Fool’s pranks today, I want to talk about something serious: Writers and taxes.

No one likes thinking about their taxes, let alone actually doing them. But they are a reality of life, and if you’re self-employed, the become even more complicated than they are for the average working person. There are more calculations, more receipts to save, and kiss goodbye using any of the IRS’s simple forms.

This is why I advocate planning early. Please note here, I am not a tax professional. Most agents do not have accounting backgrounds (though likely some do), so it is important that you speak with an actual accountant when it comes down to doing your tax return. However, I can give you a heads up regarding some of the things to keep an eye out for so you have what you need to file.

Start before you publish. Yes, that’s right. Even if you’re still in the early phases of shopping your novel to agents or editors, you should already take a professional outlook when it comes to your finances. There’s no way of knowing how fast your project might sell, and if payment comes in December then suddenly you were a working writer for that year, able to write off far more things than you could when you were unpaid.

Keep everything. All those pesky receipts? Get yourself a nice little accordion file and organize them as you go. You might already be holding onto obvious receipts, like the ones for office supplies or postage, conference registration, and so on. But keep the ones you’re unsure about, also. Magazine subscriptions? Books? The lumbar pillow for your desk chair? Keep them all, and note their purpose on the back. Your accountant will be able to tell you if something is fair game.

Log your mileage. Do you drive to conferences? Or to the airport before you fly to one? To the post office to send out ARCs for review or prizes from giveaways on your blog? You can deduct a certain amount each year based on the miles you drive your car for work purposes if you are filing as a self-employed individual. Even if you use that car for personal use, too. Just pick up one of the small logs they sell at most office supply stores and keep track of your starting and ending miles, and how many of them were for work purposes. Just leave your log in the car so you remember to use it. You’ll be surprised how quickly you’ll end up with a few hundred dollars more to deduct by year’s end.

Keep your writing area separate. If you can possibly have your own room to designate as your office space, do so, even if it’s not much more than a closet. The rules on what can or cannot be considered a viable working space vary from year to year (and no doubt from country to country — I’m only familiar with U.S. tax laws). Check with your accountant to determine what qualifies. Not only will you be able to deduct a percentage of your rent or mortgage based on the square footage of your office, but of any other cost that goes toward the entire house, such as heat, electricity, etc. It’s worth the deduction if your home layout permits.

Find an accountant who is familiar with writers or at least works with other self-employed individuals. They will be much more in tune with what you can deduct and what to avoid because it might raise red flags with the IRS. Check with local writing groups or online writers’ forums if you need some recommendations, or simply ask local accountants how much experience they have with this area of the tax code.

If you’re not ready for an accountant quite yet, be sure to read one of the many available guidebooks geared toward helping self-employed individuals determine their deductions to make sure you are holding onto all the right paperwork. Better to have too much than to be missing something vital when you’re ready to file.

Friday Links

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Happy Friday, and happy holidays to those of you in the midst of celebrating various things.

We’re in the last few days of the March Madness Challenge. I hope you’ve enjoyed it, and that you manage to sneak some more words in before April rolls around. In the meantime, I have a pretty broad range of links to share, from some industry news to some thoughtful reads and couple just for fun. I find them pretty interesting, and I hope you agree.

Wishing you all a lovely weekend, and good writing time!

The Importance of Endings – On why even a good thing should eventually come to an end.

Amazon to Buy Goodreads – Just what it says.

I’m Comic Sans, Asshole – Just plain funny, as only McSweeney’s can be.

Top Ten Most Prolific Authors on Twitter – If you’re looking to liven up your feed, add a few of these folks.

Curious Cat Walks Over Medieval Manuscript – Inky paw prints on a 15th century manuscript, presumably from a 15th century kitty.

Those Pesky Synopsis Things…

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I’ve had several people ask me to blog about how to write a synopsis, but the reality is that it is far too complicated a subject to tackle in a blog post. Normally I do an hour-long presentation on the topic for conferences, but I realize not everyone has the time or resources to attend a conference.

So, when Writer’s Digest asked me if I’d be interested in doing a webinar for them as part of their ongoing series, I jumped at the opportunity to offer an in-depth look at synopsis writing that could be made more widely available. Conquer the Dreaded Synopsis: Construct Your Ultimate Sales Tool will take place on April 25th, 2013, at 1:00pm EDT. No — it’s not free — but it is still far cheaper than attending a writers’ conference. Registration includes attendance to the online session, access to the presentation materials for a year, and a critique of your synopsis (which I hope you will write or revise based on what you learn) following the session.

I look forward to seeing some of you in class!

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